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Opus#
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Title
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Publisher
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Year
|
Duration
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2a |
Three Pieces - flute
1) Adagio 2) March 3) Presto
The mood covers the gamut from the introspective, to the
mock martial and the brilliant. |
|
1956
|
6'
|
|
2b |
Three Pieces - flute & piano
1) Adagio 2) March 3) Presto
A version of the above but containing an accompaniment
for piano. |
|
1956/ 80
|
6'
|
|
2c |
Prelude for November - oboe & piano
Slow - Faster - Slow
An atmospheric work evoking the nature of an English
November. |
|
1958
|
6'
|
|
9 |
String Quartet in A
|
|
1961
|
19'
|
|
12 |
Sonata - 'cello & piano
1) Appassionato, ma non troppo Allegro
2) Andante Semplice
3) Allegro Ritmico
A work with a later romantic sweep, the second movement of
which is an air and variations |
|
1961
|
7'
|
|
17a |
Partita Bizarre - oboe & piano
1) Preludio "Omaggio a Vivaldi"
2) Pavana Inglese
3) Valzer Macabro
4) Sarabanda Sentimentale
5) Marcia dei Birichini
A set of five short characteristic pieces suitable for concert or
teaching purposes - not difficult |
[ex-Chappell]
|
1962/64
|
7'
|
|
17b |
Italian Notebook - oboe & piano
1) Preludio Pomposo,
2) Romanza - Le Campanelle
3) Gavotta Gaia,
4) Danza Infernale
A second set of characteristic pieces of moderate difficulty |
[ex-Chappell]
|
1962/64
|
7'
|
|
17c |
Bagatelles for Beginners - 'cello & piano
1) Aria
2) Folk-Song
3) March
4) Waltz
5) Nocturne
6) Fugue
These short movements are suitable for those students who
have had but a few lessons |
[ex-Chappell]
|
1963/64
|
8'
|
|
17d |
Five Cameos - des. recorder & piano
1) Marche Militaire 2) The Swing
3) The Horsemen 4) The Shepherd Boy 5) The Sailor's Hornpipe
A set of five miniatures each with a distinctive character; suitable for teaching or recital use - not difficult |
[Boosey & Hawkes]
|
1963/66
|
7'
|
|
20a |
Mobile - flute, vibraphone, celesta, harp,
percussion & 'cello
An abstract work in Post-Webern style making use
of mid-twentieth century avant-garde techniques
|
|
1963
|
7'
|
|
20b |
Movement - flute, oboe, clarinet, violin,
viola & 'cello
This brief single movement opens quietly and gradually
increases in intensity
|
|
1965
|
3'
|
|
20c |
Cinque Miniature - flute, mandolin & celeste
1) Andante 2) Lento 3) Allegretto
4) Lentissimo 5) Vivo
This set of short contrasting pieces employs expressionistic styling |
|
1962
|
5'
|
|
|
Divisions for Brass - 2 trumpets, horn,
trombone, tuba
(or equivalent instruments)
I. Tema - Andante II. Pastorale - Andantino
III. Marcia - Allegro pomposo IV. Area - Lento
V. Waltz - Allegretto VI. Skerzo - Allegro vivo
VII. Chorale with recitatives - Adagio molto
VIII. Finale - Allegro Spiritoso.
The colorful set of tonal variations is suitable for both educational
or concert use - not difficult. The tuba part is ad lib. |
[Gold Branch Music, Inc ]
www.goldbranchmusic.com
|
1963
|
7'
|
|
21 |
Six Epigrams - violin & piano
1) Adagio con fantasia 2) Allegro Vivace
3) Lento Espressivo 4) Tempo di Valzer
5) Sarabanda 6) Allegro Spiritoso
A set of miniatures of moderate technical difficulty
evoking contrasting emotions. |
[ex-Franco Columbo]
|
1963/76
|
7'
|
|
26 |
Laudes - flute & chamber ensemble
1) Colours 2) Bells 3) Motet
This Post-Webern inspired work was written in Siena, Italy
and is inspired by three images inherent to that medieval city. |
|
1966
|
10'
|
|
29 |
Maschere - violin & piano
Fanfare
Arlecchino Pantalone
Arlecchino Tartaglia
Arlecchino Columbina
A mixture of rondo & variation form inspired by characters
from the commedia delšarte.
Commissioned by the Duo Notariello |
|
1969
|
10'
|
|
38a |
Stinging - alto recorder, 'cello, harpsichord & tape
A work written in proportional notation, consists of
various instrumental episodes interrupted by 'stinging'
sounds on the tape. |
|
1971
|
10'
|
|
38b |
Stinging II - violin, 'cello, piano, percussion or tape
An arrangement of the above work for piano trio with
percussion or tape.
|
|
1971/80
|
10'
|
|
50 |
The Battle - trumpet & piano
1) March to the Battlefield 2) The Exhortation
3) The Advance & Battle 4) Last Rites
5) Triumphal March
A modern 'take' on eighteenth century battle pieces |
|
1978
|
11'
|
|
51a |
Wood I - shackuhachi or alto recorder or flute & electronic ensemble
Both the vocal and synthesizer parts in this textless work
employ proportional notation and make use of
Japanese shackuhachi ornamentation devices. |
|
1978
|
10'
|
|
51b |
Wood II - (without text) soprano & string quartet
An arrangement of 'Wood', the synthesizer parts being
arranged for string quartet - uses proportional notation. |
|
1978/81
|
10'
|
|
51c |
Wood III - alto recorder & prepared piano
An arrangement of Wood I, the synthesizer parts being
arranged for prepared piano - uses proportional notation. |
|
1978/83
|
10'
|
|
56 |
Wake-up! - harp
Variations on an Appalachian Folk Melody (Darlin' Corey)
This set of variations demands a substantial technique.
Written for Susan Allen. |
|
1979
|
9'
|
|
57 |
Siuslaw - percussion quintet
Written for Charles Dowd and the University of Oregon Percussion Ensemble, evokes the world of the pre-columbian
Pacific Northwest. |
|
1979
|
11'
|
|
58 |
Divertimento - 3 clarinets, 1 bass clarinet
1) Introduction
2) Allegro gusto
3) Canto
4) Scherzo
5) Danza
Based on a work written when a student at the Royal College
of Music, London.
|
|
1955/79
|
14'
|
|
59a |
Capriccio: Matrix - any instrument
A Matrix of 27 gestures and 6 suggested pitched motives,
allowing an imaginative performer to construct his own
work. |
|
1981
|
?
|
|
59b |
Capriccio: Variant I - any solo instrument
A realization of the Matrix above but lacking a 5 line stave,
allowing the performer to choose his own pitches. |
|
1981
|
7'
|
|
59c |
Capriccio: Variant II - alto recorder or oboe
A fully notated realization of Variant I. |
|
1981
|
7'
|
|
60 |
Sonata: Il Dottore di Bologna - bassoon & piano
Allegro spiritoso
Canto - Andante expressive
Giga - Allegro giocoso
In traditional sonata form, making use of material written in
student years. Written for an eminent Musicologist and
Bassoonist Peter Bergquist. |
|
1955/81
|
12'
|
|
61 |
Sonata Barocca - soprano inst, bass baroque inst & clavier
1) 'Preludio' - andante pastorale
2) 'Burlesca' - allegro scherzoso
3) 'Omaggio a Purcell' - grave
4) 'Ritornello' - allegro vivo
This work, in traditional sonata form can be played by a
wide variety of baroque instruments. |
|
1955/81
|
10'
|
|
62 |
Sonata: Il Ritorno - horn & piano
1) Caoine 2) Scherzo
3) Antique 4) Finale a Burla
Written and dedicated for Edward Kammer, the four
movements were inspired by events in Homer's Odyssey. |
|
1955/81
|
17'
|
|
63a |
Solana Grove - wind quintet
Introduction, Theme, Variations (1 - 11)
This set of variations of the slave song, 'Another man done
gone' was inspired by a visit to Frederick Delius's Orange
Plantation near Jacksonville, Florida. |
|
1982
|
23'
|
|
63b |
Eight Variations on a Southern Theme - wind quintet
Introduction, Theme, Variations (1 - 8)
A shorter version of the above work. |
|
1982/84
|
12'
|
|
69 |
English Dances - percussion sextet
1) Processional (Wheatley Morris)
2) Cheshire Rounds (Country Dance)
3) Jenny plucks pears (Playford)
4) How d'ye do, Sir? (Headington Morris)
5) Pop goes the weasel (Lichfield Morris)
6) Sir Roger de Coverley (Country Dance)
Written for unpitched & keyed percussion with celesta; is
dedicated to the University of Oregon Percussion Ensemble,
director Charles Dowd. |
|
1987
|
16'
|
|
72a |
From the West - viola
1) Fanfares 2) Kwakiutl Night
3) Capriccio-Gwawin 4) Totem Fragments
A set of four pieces making use of the traditional native music
of Western Canada, particularly that of the Kwakiutl people. |
|
1990
|
12'
|
|
72b |
From the West - viola & piano
1) Fanfares 2) Kwakiutl Night
3) Capriccio-Gwawin 4) Totem Fragments
This version of the above work contains a part for piano. |
|
1990/02
|
12'
|
|
74 |
Shaker Set No. 1 - string quintet or string orchestra
1) Persecution and the Journey to the New Jerusalem
2) To enter the Kingdom
3) Love is little
4) The Willow
A four-movement suite introducing spirit-songs and hymns
of the Shakers. |
|
1993
|
16'
|
|
76 |
Shaker Set No. 2 - string quintet or string orchestra
1) Mother's Mantle
2) Scherso: I-ne vi-ne Violet
3) Spirit Song: Co-lo-vinh
4) Mother Lucy's Birthday Song
A second suite introducing spirit-songs and hymns of the
Shakers. |
|
1993
|
14'
|
|
77 |
Shaker Set No. 3 - string quintet or string orchestra
1) Solemn Song
2) Spirit Song - The Bugle
3) Shaker High
This third suite introduces spirit-songs and hymns of the
Shakers. |
|
1993
|
12'
|
|
89d |
Four Preludes on Latino Religious Songs - violin & organ
1) Ofertorio Nicaraguanse (Nicaragua)
2) Un Mandamiento Nuevo (Spain)
3) Buenos Dias, Paloma Blanca (Mexico)
4) Como El Rey David (Mexico)
Four 'accessible' pieces arranged from the original set of
organ preludes. |
|
2000
|
8' 10"
|
|
89e |
Cuatro Alabanzas - flute, clarinet, trombone, percussion,
piano, violin & 'cello
1) Fanfare - Gloria a Dios
2) Son - Senor, Proclamamos La Fe
3) Arioso - Viva la Virgen de Guadalupe
4) Cancon - Tu eres, Senor, el Pan de Vida
Four pieces arranged from the original set of organ preludes. |
|
1999/02
|
9' 30"
|
|
89f |
Ocho Alabanzas - flute, violin, viola & piano
1) Fanfare - Gloria a Dios
2) Son - Senor, Proclamamos La Fe
3) Aria - un Mandamiento Nuevo
4) Cancion - Ofertorio Nicaraguense
5) Vals - Pueblo Libre
6) Arioso y Coro - viva la Virgen de Guadalupe
7) Danzon - un Mandamiento Nuevo
8) Salida - Come, Christians, Join and Sing (Spanish Chant)
Two sets of preludes arranged from the original work for organ. |
|
1999/02
|
16' 20"
|
|
89g |
Four Preludes on Latino Religious Songs - violin & piano
1) Ofertorio Nicaraguanse (Nicaragua)
2) Un Mandamiento Nuevo (Spain)
3) Buenos Dias, Paloma Blanca (Mexico)
4) Como El Rey David (Mexico)
An arrangement of the preludes for violin & organ. |
|
1999/02
|
8' 10"
|
|
94 |
A Sonata for Virginia - violin & organ
1) Virginia Dare: Her Pavan
2) Jig
3) Fantasy: Croatoan
4) Finale: a debt repaid
The first three movements were inspired by Sir Walter
Raleigh's expedition to form a colony in North America in
1584 & 1587. The finale was written as a closing work for a
concert. Dedicated to the Murray/Lohuis Duo. |
|
2004
|
20'
|
|
99
|
Strange Dialogue -2 tubas
A virtuoso fantasy piece exploiting the full range
of the tuba.
|
|
2005
|
8' 15"
|
|
101
|
Cinco Preludios - clarinet, violin, viola, & piano
1) Paean: Un Mandamiento Nuevo (II)
2) Cancion de Cuaresma: Perdon, Senor
3) Villancico: Alegria
4) Arietta: Un Mandamiento Nuevo (V)
5) Salida: Te den Gracias
Five characteristic preludes based on hymn melodies
from Spain, Mexico & Puerto Rico.
|
|
2005
|
10' 10"
|
|
104
|
Larus goes to Far Rockaway - solo alto saxophone
An advanced phantasy piece built on cries of the Herring Gull.
|
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2006
|
6' 35"
|
|
105
|
A Northern Phantasy - clarinet, viola & piano
Inspired by a trip to Thunder Bay, Ontario.
In 3 sections:
Quasi Allegro
un po'meno mosso, ma molto cantabile
Allegro non troppo (Dance)
|
|
2006
|
9' 55"
|
|
106
|
Eight Variations on a Original Theme -
Chinese Instrumental Ensemble
A set of variations on an original theme written for traditional Chinese instruments.
|
Theme ('Seated alone') |
| |
Variation 1 - Antiphon,
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Var. 2 - Canon in Blue
| |
Var. 3 - Night Music,
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Var. 4 - Galloping
| |
Var. 5 - Mountains of Mist,
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Var. 6 - Zephyr
| |
Var. 7 - Solemn Procession,
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Var. 8 - Finale in five
|
| |
2006
|
14' 00"
|
|
109
|
Three Characteristic Pieces' - saxophone octet
Three virtuoso movements for double saxophone
quartet.
1) Fanfares
2) Ancient Rite
3) Humoresque
|
|
2007
|
12' 52"
|
|
110
|
Quartet for Saxophones - soprano, alto, tenor and baritone saxophones
(movements 2 & 3)
The two middle movements of an incomplete
quartet - difficult.
|
|
2007 |
10' 14"
|
|
112
|
Toccata per l'Elevazione: Homage to Frescobaldi - Saxophone octet
A short fantasy piece built on units from
an organ work of Frescobaldi |
|
2007 |
4' 40"
|